Tote made on the occasion of Doubting Thomas, a three- person exhibition bringing together work by Aaron Elvis Jupin, Mike Kelley, and Tony Matelli, on view April 11 - May 16, 2026.

15 × 15 × 3 inches
Printed at Lucca Mart, Los Angeles

Everything-but green is a piece of experimental fiction by the British writer and artist Aisha Farr, inspired by and written on the occasion of Mary Herbert’s exhibition titled Careful not to fill an Emptiness, presented by Moskowitz Bayse in London from May 14 - June 28, 2025.

Soft-cover, 56 pages
Printed in Yorkshire, England
A6 (4.1 × 5.8 inches)

The zine Message Received brings together the sketches, drawings, and watercolors that document New-York based artist Eleanor Swordy’s process of making her monumental painting titled My Ophelia (2024). The publication is the first to offer visual insight into this otherwise private aspect of the artist’s practice. 

Message Received accompanies the artist’s exhibition of the same name, on view at Moskowitz Bayse from October 26 - December 14, 2024.

Soft-cover, 40 pages
Printed in Los Angeles
8.5 × 6.4 inches

The first publication dedicated to the work of New York-based artist Eleanor Swordy, Drawings 2020-2021 features thirty-six illustrations of drawings made with pastel on toned paper. Works reflect the immediacy of their medium, usually depicting a single action devoid of narrative prescription in reference to drawing itself as a discrete set of actions.

In addition to a standard copy, this volume is also available in a limited edition of 100 that includes a hand inscription with one of four unique line drawings; each is signed and numbered by the artist alongside the drawing on the inside cover.

Soft-cover, 75 pages
Printed in Los Angeles at Paper Chase Press
9 1/2 x 7 1/2 inches

Minor Adjustments features works from Browning’s series of the same name, presented at Moskowitz Bayse as an exhibition in 2020. Combining humor, poetry, and an extensive armory of commercial hardware, Browning prods at the various orthodoxies of conceptual art–here, the tradition of land art, in particular.

Executed across the United States, the photographs in Minor Adjustments identify and solve absurd imperfections in disparate natural and urban landscapes. Trees in Brooklyn are made to stand up straight with the help of ratchet straps and pulleys, while dry desert riverbeds are temporarily made flat, as proved by Browning’s omnipresent bubble levels.


Softcover, 108 pages
Essay by Ace Ehrlich
Printed in Los Angeles by Paper Chase Press
11 1/4 x 9 1/4 inches